Introduction: Why is everything curated these days? Examining the work of popular music curation
نویسندگان
چکیده
Beginning with consideration of why the term ‘curation’ has come to be so ubiquitous in popular culture, this special issue looks at ways which curation work today happens across an array music activity. More than simply selecting a range interesting objects, imperative community-oriented is embedded within contemporary curatorial practice. Hence, much modern narrative nature: telling compelling story not just through static collection and presentation artefacts single, monolithic audience but dynamic multiply iterated discourse audiences, communities stakeholders. The articles all examine how illustrates form community belonging, either participation engagement some type activity or acknowledgement others are liminally overtly excluded from it. Whilst cultural commentators writers tend treat application word extra-museum environments element disdain, demonstrate that ultimate value both culture its power communicate stories foster new forms community, identity collectivity increasingly disaggregated isolating world.
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ژورنال
عنوان ژورنال: Popular Music History
سال: 2021
ISSN: ['1743-1646', '1740-7133']
DOI: https://doi.org/10.1558/pomh.42196